In this video from Picturing America on Screen, students learn about American artists Jacob Lawrence and Martin Puryear.
Inspired by the musical storytelling of West Africa’s griots, Jacob Lawrence employed in The Migration of the Negro Panel no. 57 a painted and written narrative to invoke how African-American families “came up” from the South to settle in cities such as New York, Chicago, Detroit, Cleveland, and Pittsburgh.
Suspended above the floor and anchored by almost undetectable wires, Martin Puryear’s 36-foot Ladder for Booker T. Washington seems to float in space as it rises and abruptly narrows at the top. The artistic metaphor of a ladder not easily climbed dovetails with the contradictions in the legacy of slave-turned-educator Booker T. Washington.
Picturing America is a project of the National Endowment for the Humanities, carried out in partnership with the American Library Association, which provides an innovative way to experience America’s history through our nation’s art. Visit the Picturing America website to learn more. For more videos like this, visit Picturing America on Screen.
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